Her voice
like a conductor motioned me
forward, close, up to the front,
the black slate’s letters were crisp
streaming their high music in through my eye-
glassless eyes. Don’t be afraid of the blurring
or the flares, they can fix that, she said, leading
me into the Green Circle beside her desk
three or four chairs
for slow readers. When I saw sparrow
or suggest I thought surgery and how would I
live without my eyes they would pluck
leaving only spiders flashing, blinking,
my eyeballs sliced midway like corks, and
dipped in chalkdust. Her surprise
as I bent my head into the book which
had an inside & an outside
sheets of rain sealing the margins,
she came to me and opened another book
& another of large letters & smaller ones.
I was braided, finally, onto pages, filling,
and I saw how tall she was,
my conductor, a white pine all her needles
threading even more music into me
till I laughed when she read “germ of sadness”
and I heard “wheat germ” doing its crunching,
and for all of us, because it was April and nearly
my first full year of school
had passed without reading. I heard her
click the fluorescents off—Look children, we have plenty
of light, she said, Look at your fingernails & your neighbor’s
teeth. Spring light! she said, and it was very old, newly
arriving from the long Universe brushing us,
here in our Northern Hemisphere.
—Judith Vollmer is the author of five full-length books of poetry, including The Apollonia Poems, awarded the University of Wisconsin Press Four Lakes Prize (2017). She is recipient of fellowships from the National Endowment for the Arts and the Pennsylvania Council on the Arts; and fellowships and visiting artist residencies from the Corporation of Yaddo, the American Academy in Rome, and elsewhere. Other publication prizes include the Brittingham, the Cleveland, and the Center for Book Arts (limited edition) awards. Her collection Reactor was nominated for the National Book Critics Circle Award and was featured in the Los Angeles Times Book Review. Vollmer’s poetry and criticism have appeared in Poetry International, The Georgia Review, Poet Lore, The Cambridge Companion to Baudelaire, The Women’s Review of Books, and Great River Review, among many others. She lives in Pittsburgh and teaches in the low-residency MFA Program in Poetry & Poetry in Translation at Drew University.